"Anne
Rice: Stations on a Journey"
The best-selling author gives up writing about vampires to write
about the 'ultimate supernatural hero'--Jesus Christ.
c. 2005 Beliefnet.com
October 31, 2005
By Marcia
Z. Nelson
Anne Rice has nailed her vampire novels into a coffin.
"I will
never write those kind of books again -- never," Rice said,
referring to three decades of work that include bestsellers like
"Interview with the Vampire" and other books in the
Vampire Chronicles series. Her books about witches and dark angels,
she said, "were reflections of a world that didn't include
redemption."
"In 2002 I made up my mind that I would not write anything
that wasn't for Christ," the former vampire queen explained.
The title of her latest novel stakes out Rice's new preoccupation.
"Christ the Lord: Out of Egypt" tells the story of a
young Jesus from his point of view: a 7-year-old boy who is discovering
his powers and his identity.
This transformation
is startling for a writer who previously summoned vampires, witches
and ghosts to life in tale after tale of supernatural life. Two
series of vampire books that began in 1976 with "Interview
with the Vampire," one series dealing with witches, and even
a trio of erotica written under the pen name A.N. Roquelaure all
established an elaborate network of mysterious characters, complex
relationships, and dark themes. Rice's use of the supernatural
allowed her to look back into history for baroque settings as
well as contemporary ones for her stories.
But though
they didn't include Jesus, the writer, 64, says her previous books
have always pursued questions of morality. From the vampire Lestat
to the devil Memnoch, all her heroes are immortal outsiders who
have supernatural powers and who live in worlds where right and
wrong matter deeply. If the Russian novelist Dostoevsky had his
Grand Inquisitor interrogate Christ in "The Brothers Karamazov,"
Rice conducted her own theological investigation in "Memnoch
the Devil."
"The
books in a way are like stations on a journey," Rice said.
"They reflect different points on a lifelong quest."
Her own faith
journey is something of a round trip. Her new book is a reflection
of her return, in 1998, to the faith of her childhood. Raised
a Catholic in 1940s and 1950s New Orleans, that childhood experience
of a gumbo of cultures strongly spiced by religion gave her a
keen awareness of the beauty of faith. A sensual longing for beauty
threads through her work: from the Vampire Lestat's frock coat
to rosewood furniture to rapacious wisteria, the particulars of
dress, décor, art, and music are palpable on the pages
of Rice's books.
But she left
the church at age 18, beckoned by an adult world where faith seemed
unnecessary. Shortly thereafter she married a painter, the late
Stan Rice, whom she says was a "passionate atheist."
Decades and
books later, the influence of Catholic friends and intense curiosity
about Jesus and his times slowly nudged her back to faith, but
not without soul-searching. "I pent a year tearing my hair
out over moral questions," she said. One afternoon in 1998
she asked her assistant to recommend a priest who might hear her
confession, a Catholic rite of penitence. "She said, 'I know
the perfect person, and he's there now,'" Rice recalls. After
a two-hour--"maybe even three"--session with her confessor,
Rice returned to the Church, setting aside her reservations, especially
the Catholic Church's stance on homosexuality. (Rice's son, Christopher,
is gay.) "I said, 'I will leave these things in the hands
of God.'"
"I offer
this book to those who know nothing of Jesus Christ..."
She later remarried her husband in a Catholic ceremony at the
parish church of her childhood. He had accepted her return to
faith. "We didn't argue much about that sort of thing,"
she said. She had already begun working on her Jesus novel when
her husband became ill with a brain tumor in 2002 and died four
months later. Research for "Christ the Lord" sustained
her, she writes in a personal and revealing author's note that
both concludes the book and explains its genesis.
Rice says
her return to the Church made writing about Jesus more challenging.
"I had to digest my experience and regain my sense that I
could do this," she said.
Rice immersed
herself in Christian scholarship, and her book draws heavily from
many sources, from Josephus to N.T. Wright. But she discards much
of modern New Testament scholarship, as she explains in the author's
note. Her contempt for what she calls "skeptical scholarship"--including
"arguments that insisted most of the Gospels were suspect,
for instance, or written too late to be eyewitness accounts"--is
obvious throughout the note.
The story
of Jesus that she constructs includes some legends about miracles
the boy performed. But she makes her tale consistent with the
Gospel of Luke, forming an elaborate and imaginative addition
based on a few lines describing Jesus' childhood. "I took
my cue from Luke," she says. "I saw a great framework
there."
Rice's Christ
is the young son of Mary who journeys with his family from Alexandria,
Egypt, where they fled after his birth, back to Nazareth. He observes
the social ostracism of his mother, who people believe conceived
her child before marriage. He also witnesses political unrest
among Jews and imperial Roman harshness toward their Jewish subjects.
Rice paints a picture of a young Christ who is both fully human
and fully divine. She elegantly captures his growing awareness
of who he is and the times in which he lives.
Rice was unsure
of how both her traditional fans and traditional Christians would
react to her work. But her publisher, Alfred A. Knopf, signaled
its confidence in her new turn with its initial print run of 500,000
copies. Rice has been relieved and gratified by early responses
to the book. When retired New Orleans Archbishop Philip M. Hannan
sent a letter praising her work, "I practically fainted with
gratitude," Rice said. One review calls it one of the bolder
retellings of the story of Jesus.
As for her
fans who are more accustomed to reading about immortal vampires,
Rice believes her newest character might not be so different.
"Is Christ our Lord not the ultimate supernatural hero,"
she asks rhetorically in the author's ote, "the ultimate
outsider, the ultimate immortal of them all?"
In the end,
Rice seems to consider her new book a gift, both to Christians
and to non-Christian fans of her previous work. "This is
a book I offer to all Christians," she writes, "to the
fundamentalists, to the Roman Catholics, to the most liberal Christians
in the hope that my embrace of more conservative doctrines will
have some coherence for them in the here and now of the book...
"I offer
this book to those who know nothing of Jesus Christ in the hope
that you will see him in these pages in some form. I offer this
novel with love to my readers who've followed me through one strange
turn after another in the hope that Jesus will be as real to you
as any other character I've ever launched into the world we share."
Rice's future
"strange turns" are likely to continue to be inspired
by Jesus. "My life is committed to Christ the Lord,"
she said. "My books will be a reflection of that commitment."
Marcia Z.
Nelson is a freelance religion writer and the author of 'The Gospel
According to Oprah.'
This article
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